What We Do

Bespoke, on brand, video content.

Visual marketing is saturated these days, incredibly saturated. It used to be that you could halfheartedly pump content into your media streams, and a captive audience would lap it up. With a saturated market comes competition, and competition drives standards.

If you want to stand out, to show that you take your brand image and your social media presence seriously and drive engagement, then top quality, bespoke content is a sure fire way to do that. I work freelance independently, and don’t have the same expenses that a large media production agency has. This means I can deliver on my promise - to create outstanding content, without the burden of the hefty costs that comes with a large film company. If the cost of producing content outweighs the benefits of what it can do for your business, it doesn’t make commercial sense. That’s why I offer an affordable, bespoke pricing system.

Ranging from clean corporate videos, to stylised promotional films, event coverage, to raw and emotive shorts - I love the variety of work I undertake.

Take a look at the examples of my work on the Recent Films section..

I love building ongoing relationships with clients, and working with them to create a strong body of cohesive work. That being said, if you are just looking for a one off film or video content, then get in touch and we can put wheels in motion!

The following aspects always come included as standard..

Cinematic Colour Grading

There is no use using the latest, fanciest cinema cameras if you don’t understand how to produce a beautiful, emotive, cinematic image from it. I don’t use one size fits all LUT’s for my films, instead utilising precise colour science to ensure that no matter what the content or setting, you receive a product that looks at home on a cinema screen.

Cinema Quality Image & Gear

I firmly believe that the expertise and quality of the filmmaker using the gear is far more important than the gear itself, that being said - I am a sucker for great gear. I use a range of different cameras and accessories, but the bulk of my gear is made up of blackmagics top end cinema cameras, including the 4.6K Ursa Mini Pro, and the 6K pocket cinema camera.

Any cinema camera is easily hired however, and so if you feel your project needs a Red Epic - you got it, it’s all a matter of offering a bespoke service that is relevant to your needs.

Dedicated sound design

One of the easiest things to overlook is sound design. Imagine the best film you have ever seen, with poor audio - it just doesn’t move you the same way a piece with excellent music and sound does. I use a range of industry standard sound equipment to make sure that sound is never overlooked, whether its discreetly captured voice overs, or hyper specific Foley for sound effects.

Music tracks are covered for any commercial project under my license with Artlist - meaning when we work together, you don’t have to worry about where you can use your video.